Cenacolo; Motus est Anima is a photographic ‘mise-en-scène’ of the consternation of the Apostles’ hands reactions to the announcement of Jesus during the last supper that one of them will betray him. With this work the artist resembles Leonardo da Vinci’s anatomic studies through the use of light in a sort of painterly ‘chiaroscuro’ style. The opera gets presented as a single light-box made of many independent box-units that show the Apostles’ hands at different times like in a film. The images emanate light from the inside as a dichotomy where light versus shade symbolizes good versus evil and truth versus treason.